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✨ Remove Background

For white and green-screen product shots

Automatic detection averages the four corners. If the corners are not background — a full-bleed composition, say — pick the colour yourself.
Too low leaves a halo; too high starts eating similar colours inside the subject. Start around 30.
Recommended. It stops areas inside the subject that share the background colour — a white shirt, a white product — from being punched through.

⚠️ This removes background by colour, not with AI. It works well on white product shots, green screens, and flat backgrounds; it is not suited to busy backgrounds, fine hair, or translucent objects — those need a machine-learning model, which means tens of megabytes to download and the compute cost pushed onto your device.

🔒 Everything runs inside your browser — your files are never uploaded to our servers and we never see them. Close the tab and nothing is left behind.

Remove Background: before and after example
Original on the left, the actual output of this tool on the right — not a mock-up. Any file sizes or dimensions shown are real measured values.

Step-by-step

  1. Pick an image with a flat background White product shots, green-screen footage, and portraits on plain backdrops all suit this. The simpler the background and the greater its contrast with the subject, the cleaner the result.
  2. Confirm the background colour By default the four corners are averaged, which gets white and green screens right first time. If the subject fills the frame and the corners are not background, turn detection off and pick the colour yourself.
  3. Adjust the tolerance This is the value that matters most. Raise it if a halo remains around the edges; lower it if the subject starts losing pieces. Around 30 suits most clean white backgrounds; green screens usually want 50–70.
  4. Set the edge softness With none, edges come out jagged. Around 20 lets the cut-out settle naturally onto a new background. Raise it for hair and fuzzy edges, but too much makes the whole outline semi-transparent.
  5. Run it and download The output is a PNG with real transparency — the checkerboard behind the thumbnail is where it is see-through. To put it on a solid colour, run the result through Convert to JPG.

When you would use this

Cutting white backgrounds off product shots

The most practical use by far. Shoot the product on white, cut it out, and it can sit on any coloured layout, go into a collage, or be composited into a lifestyle shot. Most marketplaces also prefer pure white or transparent product images.

Green-screen footage of people

Green screens are green precisely because green is furthest from human skin tones — exactly the condition colour-based removal wants. Tolerance usually needs to go to 50–70, since lighting across a green screen is rarely even.

Making stickers and assets

Anything you want to lay over another image needs a transparent background. Cut it out, save as PNG, then composite with Merge Images or another editor.

Changing an ID photo background

A photo taken against a pale wall can be cut out and placed on the required white or blue. Pair it with ID Photo Sizes. One warning: a rough cut-out edge makes rejection more likely, not less — shooting against the correct colour in the first place is still the safest route.

How it decides what is background

The approach is direct: take a background colour as reference and measure how far each pixel's colour sits from it. Very close becomes fully transparent, far away stays fully opaque, and the range between gets proportional partial transparency — that is what "edge softness" controls, and why edges do not come out jagged.

Colour alone has one obvious failure mode, though: anything inside the subject that shares the background colour gets removed too. A white shirt on white, a highlight on a white product, the whites of someone's eyes — all become holes.

So by default one more step runs: a flood fill inward from all four edges. Only transparent regions reachable from an edge actually count as background. White areas enclosed by the subject cannot be reached, so they survive. That single option usually decides whether the result is usable.

What material works

Works well: white product shots, green screens, studio portraits on plain backdrops, existing cut-outs, line art. What they share is a single background colour with clear separation from the subject.

Does not work: outdoor scenes, textured or gradient backgrounds, fine hair detail, translucent things like glass or smoke. Those need a model that understands what a person is and what a background is — not something colour comparison can solve.

Why there is no AI mode

It is technically possible, but the costs are concrete: mainstream in-browser removal models require tens of megabytes of weights to download, and inference occupies the visitor's CPU or GPU for several seconds.

Our judgement is that for this site's most common need — cutting a product out of a white background — colour comparison already gives a clean result instantly, with nothing downloaded. Rather than making everyone pay that download cost for a minority of hard cases, we would rather state the limits plainly. For genuinely complex material, a dedicated service is the better tool.


Frequently asked questions

Is this AI background removal?
No. It decides what is background by colour distance — the closer a pixel is to the colour you picked (or that was detected), the more transparent it becomes. The upsides are speed, no model to download, and everything running locally. The limitation is that the background has to be reasonably plain. AI removal means downloading tens of megabytes and running inference on your device, which we judged a poor trade for the most common case: a product on white.
Why is there a hole in the middle of my subject?
Because something inside the subject shares the background colour — a white shirt, a white product, the whites of eyes. The fix is to leave "only remove background connected to the edges" on. It floods inward from all four sides, so only regions reachable from the edge count as background and enclosed white areas stay intact.
There is a halo around the edges. What now?
Two directions: raise the tolerance so more near-background colours are treated as background, or raise the edge softness for a gentler transition. If the halo is distinctly green or blue — spill from a green screen — colour-distance removal cannot fully fix it; that needs a dedicated despill algorithm.
Can it handle busy backgrounds?
No. When a background has several colours, gradients, texture, or clutter, colour-distance removal cannot tell "background blue" from "the blue of the subject's shirt". That requires a model that understands image content. This page does not do that and will not pretend to — better to state the limits than hand you a bad cut-out.

What you might need next

Image work rarely ends in one step. These pair up with Remove Background most often:

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